adivasheadvoices (
adivasheadvoices) wrote2012-08-18 05:10 pm
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Is it a blessing or a curse to be reunited with those who are gone?
The question has been much on Kate's mind since she returned to this place and found her Harry here, seemingly alive -- and yet, as he told her, trapped in this purgatory, unable to move forward or back. So Kate finds herself in a position no widow has ever been in: she may have the enjoyment of her dead husband again, but not the keeping of him. Should she leave this place at the end of the world, he dies to her again. And she's not sure she has the strength to lose him more than once.
They're heavy thoughts, but she can cast them off for hours at a time in Harry's bed. They only begin to creep up on her when she slips out of his room while he sleeps. (He looks too much like the dead Hotspur of her nightmares, then, still and quiet. She used to love sleeping beside him; now she prefers him awake and laughing.)
So evening in Milliways finds her in the common room, dressed again in her mourning black -- the only clothes she has here -- and splitting her attention between brooding glances at the fire and fascinated people-watching.
The question has been much on Kate's mind since she returned to this place and found her Harry here, seemingly alive -- and yet, as he told her, trapped in this purgatory, unable to move forward or back. So Kate finds herself in a position no widow has ever been in: she may have the enjoyment of her dead husband again, but not the keeping of him. Should she leave this place at the end of the world, he dies to her again. And she's not sure she has the strength to lose him more than once.
They're heavy thoughts, but she can cast them off for hours at a time in Harry's bed. They only begin to creep up on her when she slips out of his room while he sleeps. (He looks too much like the dead Hotspur of her nightmares, then, still and quiet. She used to love sleeping beside him; now she prefers him awake and laughing.)
So evening in Milliways finds her in the common room, dressed again in her mourning black -- the only clothes she has here -- and splitting her attention between brooding glances at the fire and fascinated people-watching.

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"D'you say so?"
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"Then lead the way, love, and let us ask."
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They fairly skid to a halt at the entrance, and he pushes inside like an old friend. "Good morrow! What ho, who is home?"
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The young woman who emerges from the back room of the infirmary is tall and dark-haired. The short-sleeved shirt she's wearing doesn't hide the old scars on her forearms. She's grinning ruefully as she comes out -- and looks slightly taken aback that Harry has an apparently unbroken woman holding his hand.
"Oh, hi. What can I do for you guys?"
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"Lady Percy," she says, with a slight bow. "Nice to meet you. My name's Nita Callahan, I'm a wizard."
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"Nope. Irish, if I were gonna be anything from the British isles."
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She gives her husband a fond grin, then kisses his cheek and pats his shoulder.
"Now off with you for a time, sir. Methinks 'tis best we women speak of this alone."
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Anon may be quick indeed, given his patience.
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"Ma'am, are you . . . with child?"
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"A right terror he'd be, I am sure. Mayhap 'twill be a blessing that I am otherwise occupied."
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The actual test only takes a few minutes to complete.
It's the ensuing conversation that lengthens the time to ten minutes since the women kicked Hotspur out of the room -- then twenty -- then twenty-five.
And then, finally, Nita pokes her head out of the infirmary.
"Hey, Hotspur, get in here."
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"An age I've been waiting, God's blood! Tell me there is an answer."
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Who's sitting on one of the plastic chairs by a bed and looking vaguely shell-shocked.
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But straightaway he's at his Kate's side, and takes up her hand as he sits.
"Do I read you right, my love? If my joy is in vain, let me hear it now."
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"Aye, love, thou read'st aright. We've a child."
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